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Critiques
A lot negative space...
that isn't really negative.
The light is close to perfect. It differs from studio light though and that's what it should: The face is rendered harder, the whole picture is very bright and warm though darker shades still exist in the shadows. The man seems to look through the viewer and that's what brings me so much closer to the scene. It all has this touch of street photography.
The rest of the space is used wisely to but everything together and in context. While the guitar is recognisable but only takes up a fist of precious space the background shows just enough to be recognised but not to draw away from the portrait. Model and background again are connected for the lower body fades out of focus.
Wonderful composition...
especially since its a unusual genre for you to play with.
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